# SKID ROW (smg.mid-trampoline) · 0.1 s CONTINUITY AUDIT (builder C, 28 Oct)

Scene time, gore 5, home map, from the 0.1 s contact sheets (`/Volumes/Workspace/Scratch/C8/smg/mids/`). Faris: R = right hand (the grip), L = left hand (the fore-end). The victim is Fida, the plain gameplay fighter. An issue is written once, on the row it starts; "fixed" says what changed (58k_w_smg_cine_c.js).

| t | Faris's hands | Fida's hands / body | props | issue | fixed |
|---|---|---|---|---|---|
| 0.0 | R grip, L fore-end, aimed at her chest | sprinting in, arms pumping | none |  |  |
| 0.1 | R grip, L fore-end, aimed at her chest | sprinting in, arms pumping | none |  |  |
| 0.2 | R grip, L fore-end, aimed at her chest | sprinting in, arms pumping | none |  |  |
| 0.3 | R grip, L fore-end, aimed at her chest | sprinting in, arms pumping | none |  |  |
| 0.4 | R grip, L fore-end; the dip (0.45) | the slide: laid back on the floor, the legs straight out ahead, arms up for balance | dust behind her | first build: the slide read as a sit-up V (legs pointing up) | the feet held under the hip in the figure, so the lay-back puts the legs along the floor |
| 0.5 | R grip, L fore-end; THE RAKE (0.47-0.62), slow motion | the R leg off at the hip (0.52), the L leg (0.57) | caps and sprays; both legs fly back | first build: the cut legs fell through the floor (floor 579, not 590), then landed under Faris's feet | the real floor; the legs thrown back behind her |
| 0.6 | R grip, L fore-end; THE RAKE (0.47-0.62), slow motion | the R leg off at the hip (0.52), the L leg (0.57) | caps and sprays; both legs fly back |  |  |
| 0.7 | R grip, L fore-end | the torso skids on, decelerating; the arms flail, then go limp | the legs land flat behind her and stay; a dust trail |  |  |
| 0.8 | R grip, L fore-end | the torso skids on, decelerating; the arms flail, then go limp | the legs land flat behind her and stay; a dust trail |  |  |
| 0.9 | R grip, L fore-end | the torso skids on, decelerating; the arms flail, then go limp | the legs land flat behind her and stay; a dust trail |  |  |
| 1.0 | R grip, L fore-end | the torso skids on, decelerating; the arms flail, then go limp | the legs land flat behind her and stay; a dust trail |  |  |
| 1.1 | R grip, L fore-end | the torso skids on, decelerating; the arms flail, then go limp | the legs land flat behind her and stay; a dust trail |  |  |
| 1.2 | R grip, L fore-end; the muzzle down at her | stopped at his boots (1.15) | legs on the floor; the pool starts |  |  |
| 1.3 | R grip, L fore-end; the muzzle down at her | stopped at his boots (1.15) | legs on the floor; the pool starts |  |  |
| 1.4 | the rest of the burst (1.36-1.50) | SHE BLOWS APART (1.42): the arms off, the head pop, the radial pop | the pieces fly, land and stay |  |  |
| 1.5 | the rest of the burst (1.36-1.50) | SHE BLOWS APART (1.42): the arms off, the head pop, the radial pop | the pieces fly, land and stay |  |  |
| 1.6 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |
| 1.7 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |
| 1.8 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |
| 1.9 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |
| 2.0 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |
| 2.1 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |
| 2.2 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |
| 2.3 | R grip, L fore-end; half a step back (1.6-1.7) | the remains | pieces, the pool; the soul rises (1.8); the wide final |  |  |