# HANDSPRING (smg.mid-tin-star) · 0.1 s CONTINUITY AUDIT (builder C, 28 Oct)

Scene time, gore 5, home map, from the 0.1 s contact sheets (`/Volumes/Workspace/Scratch/C8/smg/mids/`). Faris: R = right hand (the grip), L = left hand (the fore-end). The victim is Mikku, the plain gameplay fighter. An issue is written once, on the row it starts; "fixed" says what changed (58k_w_smg_cine_c.js).

| t | Faris's hands | Mikku's hands / body | props | issue | fixed |
|---|---|---|---|---|---|
| 0.0 | R grip, L fore-end, aimed at her chest | running in, arms pumping | none |  |  |
| 0.1 | R grip, L fore-end, aimed at her chest | running in, arms pumping | none |  |  |
| 0.2 | R grip, L fore-end | the hurdle: both arms swung back | none |  |  |
| 0.3 | R grip, L fore-end; the first burst (0.29-0.47) chases the floor under her | arms thrown up, then hugging the tuck | casings fall and stay; floor puffs under her flip |  |  |
| 0.4 | R grip, L fore-end; the first burst (0.29-0.47) chases the floor under her | arms thrown up, then hugging the tuck | casings fall and stay; floor puffs under her flip |  |  |
| 0.5 | R grip, L fore-end; the first burst (0.29-0.47) chases the floor under her | arms thrown up, then hugging the tuck | casings fall and stay; floor puffs under her flip |  |  |
| 0.6 | R grip, L fore-end | landed crouched, arms swinging forward | casings |  |  |
| 0.7 | R grip, L fore-end; the dip | the dive: both arms locked overhead, onto the hands | casings | first build: the handstand read as a headstand | the hands are planted either side of the head; the body pivots over them (plant pivot) |
| 0.8 | R grip, L fore-end; the snap burst (0.76-0.86) | handstand on both hands; the R arm comes off at the shoulder (0.80) | the arm flies (cap + spray) | first build: STYLE's default death ending blew her apart; the cut arm came to rest standing up | ending58: false (the mid runs its own ladder); the arm's spin trimmed: it lands lying flat |
| 0.9 | R grip, L fore-end | the L arm folds under her weight; she tips over her head and shoulders | the arm lands and stays | first build: a ragdoll crash froze into a plank | a performed crash, grounded on whatever touches the floor |
| 1.0 | R grip, L fore-end | the L arm folds under her weight; she tips over her head and shoulders | the arm lands and stays |  |  |
| 1.1 | R grip, L fore-end; one step in (1.22) | on her back, the L arm flung out overhead along the floor, knees bent | arm on the floor; casings | first build: the lying arm pointed up into the air; the body sat 11 units into the grass (floor 579, not 590) | the arm overhead along the floor; every mid reads the real floor (A.y) |
| 1.2 | R grip, L fore-end; one step in (1.22) | on her back, the L arm flung out overhead along the floor, knees bent | arm on the floor; casings |  |  |
| 1.3 | R grip, L fore-end; the second step, the muzzle down at her head | lying still | arm, casings, the pool starts |  |  |
| 1.4 | R grip, L fore-end; the second step, the muzzle down at her head | lying still | arm, casings, the pool starts |  |  |
| 1.5 | R grip, L fore-end; the second step, the muzzle down at her head | lying still | arm, casings, the pool starts |  |  |
| 1.6 | R grip, L fore-end; the second step, the muzzle down at her head | lying still | arm, casings, the pool starts |  |  |
| 1.7 | R grip, L fore-end; three rounds (1.68-1.84) | THE HEAD POPS on the floor (1.75) | shell pieces, brain bits at EXTREME: they land and stay |  |  |
| 1.8 | R grip, L fore-end; three rounds (1.68-1.84) | THE HEAD POPS on the floor (1.75) | shell pieces, brain bits at EXTREME: they land and stay |  |  |
| 1.9 | R grip, L fore-end; he straightens | headless on her back | the pool; the soul rises (2.0); the wide final (320) |  |  |
| 2.0 | R grip, L fore-end; he straightens | headless on her back | the pool; the soul rises (2.0); the wide final (320) |  |  |
| 2.1 | R grip, L fore-end; he straightens | headless on her back | the pool; the soul rises (2.0); the wide final (320) |  |  |
| 2.2 | R grip, L fore-end; he straightens | headless on her back | the pool; the soul rises (2.0); the wide final (320) |  |  |
| 2.3 | R grip, L fore-end; he straightens | headless on her back | the pool; the soul rises (2.0); the wide final (320) |  |  |
| 2.4 | R grip, L fore-end; he straightens | headless on her back | the pool; the soul rises (2.0); the wide final (320) |  |  |
| 2.5 | R grip, L fore-end; he straightens | headless on her back | the pool; the soul rises (2.0); the wide final (320) |  |  |