# SMG · builder F · lane BRUTALITY CRAFT (the slowest, most savage deaths)

File: `58k_w_smg_f.js`. Five new kills: 1 legendary, 1 epic, 2 rare, 1 common. No world shifts in this lane.
Engine add-on (in my file, offered for 58k_cine.js): a SLICE engine that cuts a body along any line IN THE CUT AREA
(the drawn body clipped into rigid pieces with raw flesh / bone / skull faces, bleeding, guts ropes), torn ragged edges
for cuts made by bullets, and a see-through HOLE punched in a body. Camera language for my five: the AMMO COUNTER (a
round counter ticking on screen), x-ray inserts in comic panels, crash zooms on faces, very long slow-mo holds.

## 1 · THE SAW · LEGENDARY · needs LEDGE (the castle plank) · ~13 s
Sustained fire sawing a body in half, as slowly as possible.
1. Spike Castle. The victim stands on the high plank, laughing down at Faris on the floor below.
2. Faris raises the SMG and holds the trigger on their waist. Bullet time: the ammo counter ticks 60, 59, 58 ...
3. The stream saws: a ragged red notch grows into the waist round by round; an x-ray panel shows the spine chewed
   vertebra by vertebra, bone chips spinning; the victim's hands clamp the wound trying to hold the halves together.
4. Counter 3, 2, 1: the upper half tears free along the ragged line, folds back off the plank and drops to the floor
   below; the legs stay up on the plank, take one step, kneel, topple, dangle off the edge pumping blood down.
5. The upper half lands at Faris's feet, guts rope trailing, and crawls toward him on its hands. He ejects the empty
   mag onto its back. One more beat of crawling. Card.

## 2 · LATHE · EPIC · needs a long floor (saloon) · ~11 s
Dismemberment by the stream, the victim turned on it like wood on a lathe. (Replaces BUTCHER'S CHART: too close to E's
SHOOTING GALLERY part-by-part counter.)
1. A burst catches the victim's shoulder and spins them like a top on one heel; the camera spins with them.
2. Faris holds the stream on the spinning body: every revolution the stream shaves off another piece, flung out by the
   spin (hand, forearm, the other arm at the shoulder, the hat, an ear, a slab of the side), a ring of red thrown off.
3. The blood lands as a spiral on the boards round them, wider with every turn (kill-only spiral decal).
4. The torso is turned thinner and thinner like a chair leg; the spin slows, wobbles like a dying top.
5. The last revolution: the head flies off on the spin across the saloon; the turned torso topples into the middle
   of the spiral. Card.

## 3 · X-RAY CHAIN · RARE · needs nothing (backyard) · ~8 s
A chain of hits seen inside the body.
1. A twelve-round burst in slow motion. On every hit the victim strobes to x-ray for one frame and one bone breaks,
   lit red: shin, knee, pelvis, three ribs, both collarbones, the jaw (teeth fly).
2. A comic strip of four x-ray panels slides along the bottom, each replaying a different break.
3. A BONES BROKEN counter climbs to 11. Round 12 takes the spine: the body folds backwards at the waist the wrong way,
   head to heels, and collapses like a dropped puppet. Card.

## 4 · PEEPHOLE · RARE · needs nothing (rooftops, night) · ~8 s
A whole magazine into one spot.
1. Rooftops, rain. Faris puts thirty rounds through the centre of the victim's chest, the counter ticking down; the
   impacts hold the body up, juddering, feet off the roof.
2. The hole grows until it is a real hole: the city lights and rain are visible THROUGH the victim.
3. The rounds stop; the victim looks down through their own chest. The camera dollies in and goes THROUGH the hole,
   framing Faris reloading on the far side.
4. The torso caves in round the hole, the head drops into it, the body folds and falls. Card.

## 5 · BLEED OUT · COMMON · needs WALL (castle tower) · ~8 s
The slowest death: Faris doesn't finish it. (Replaces CUT DOWN TO SIZE: too close to D's KNEE SLIDE.)
1. One short burst across the belly; the victim doubles over clutching it, guts slipping out between the fingers in
   pink loops.
2. Faris turns his back and reloads. The victim staggers after him trying to stuff the loops back in, steps on them,
   slips in their own blood and slams into the castle tower.
3. They slide down the wall leaving a long red smear, sit, the loops in their lap, the pool spreading.
4. They raise a finger at Faris's back; the hand drops. Faris racks the bolt without looking. Card.